©2010 Renee Stapleton, "Spring," acrylic, 34x25

"Spring" by Renee Stapleton, acrylic, 34x25

We just had the Members’ Gallery Change Out at the Eastern Shore Art Center in Fairhope, AL. So, we have new works showing throughout August and September. Mine include “Spring” that I named because the work reminded me of newness, fresh flower blossoms, rain and life. It reminded me of azaleas blossoming down Springhill Ave., in Mobile.

A special time for viewing is during First Friday Art Walk, a community event in Fairhope, with most of the galleries open to the public. The next one is August 6, 6p-8p. Regular hours for the Eastern Shore Art Center (251-928-2228) are: Tuesday-Friday 10am-4pm, and Saturday 10am-2pm.

Also in Fairhope, I now have 8 works hanging in the Medical Office Building of Thomas Hospital (Urology & Oncology Specialists, Suite 301) and a selection at Patina Gallery, 251-928-2718 (North Church St., at Magnolia Avenue).

I always appreciate these opportunities to share with you about my work. For more information about those hanging at local venues, visit my portfolio site: www.reneestapletonstudios.com 

Renee
Renee Stapleton Studios: 251-223-3099
Email: renee@reneestapletonstudios.com
Online Portfolio: www.reneestapletonstudios.com
Blog: www.reneestapletonblog.com
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I read a post today, Understanding Abstract Art, including tips about abstract expressionism. It explained the role of abstract art as not necessarily about illustrating a story, idea, or image, but about connecting with our unconscious feelings. It suggested no need to be intimidated or to try to get at the artist’s intent, but to experience the art freely and personally.

"Comforted," Renee Stapleton (acrylic 30x20)

I like abstract art. I like producing it with intuition, and I like limiting references to recognizable objects to focus more on colors and textures and shapes – to achieve a more direct emotional appeal. I explored similar interests when I was a chaplain in the sense that my work was about connecting with patients at a level of inner feelings and beliefs.   

I have two works showing at the Eastern Shore Art Center throughout June and July, including “Comforted” (pictured). It reminded me of having found understanding and hope, with a movement of brighter pinks and blues, amidst in a purple blanket of difficulty. A special time for viewing is during First Friday Art Walk, a community event in Fairhope, with most of the galleries open to the public. The next one is July 2, 6p-8p. Regular hours for the Eastern Shore Art Center (251-928-2228) are: Tuesday-Friday 10am-4pm, and Saturday 10am-2pm.

Also in Fairhope, I now have 8 works hanging in the Medical Office Building of Thomas Hospital (Urology & Oncology Specialists, Suite 301) and a selection at Patina Gallery, 251-928-2718 (North Church St., at Magnolia Avenue).

I always appreciate your learning about the status of my work.  

Renee
Renee Stapleton Studios: 251-223-3099
Email: renee@reneestapletonstudios.com
Online Portfolio: www.reneestapletonstudios.com
Blog: www.reneestapletonblog.com
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Successful artists have a recognizable style. An emerging artist’s task is to find her own. My latest works are in acrylic, and a sampling is on display in Fairhope — May 25 until the end of July, at the Eastern Shore Art Center’s Members Gallery. The First Friday Art Walks are a special time to visit. It’s a community event in Fairhope, with most of the galleries open to the public. The next one is scheduled for June 4, 6p-8p. Regular hours for the Eastern Shore Art Center (251-928-2228) are: Tuesday-Friday 10am-4pm, and Saturday 10am-2pm.     

"Imbued," by Renee Stapleton (30" x 20", acrylic)

 
About the work: Color and texture are at the heart of my love for visual art. My goal with recent works has been to achieve non-objective statements with organic patterns. I’ve also been exploring with the use of Liquitex mediums and gels. If you have questions about what I mean by non-objective, read my post What does non-objective mean?    

I feel successful when relationships have been created within the work, and something dynamic happens – something that we connected with at a visceral level, which might be different for everyone. You might think of these pieces as statements of emotion, spoken in a language that bypasses objective reference.    

Here’s wishing you creativity and inspiration,
Renee
Renee Stapleton Studios: 251-223-3099
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Artist Renee Stapleton, at Mobile Arts Council reception
Renee, at “Dialectics” reception

This evening was just a blast! It was my first exhibition, entitled Dialectics, and it was neat to share with everyone who came out, especially those of you who are demonstrating support, encouragement, and interest. I’ve been so much into listening, as a chaplain, that talking about myself and my art seemed kind of indulgent. But, I’m getting beyond that quickly and learning to enjoy the sharing about how I produced particular works and how I have been inspired, etc.

“Dialectics” reception, Mobile Arts Council

Mobile Arts Council has three galleries, and my works are hanging in the Blue Room, throughout March. The reception was a collective effort, during downtown Mobile’s LODA Artwalk.

I had not yet seen the pieces hanging before the reception and was amazed when I got there. MAC had done a great job of positioning the works on the wall, with labels beside each, my artist statement displayed, a table for refreshments, and volunteers who served.

“Imagination is the beginning of creation. You imagine what you desire, you will what you imagine and at last you create what you will.” — George Bernard Shaw

Renee
Renee Stapleton Studios: 251-223-3099
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Showing at the Mobile Arts Council in March (until March 26), Monday-Friday, 9a-5p.  251-432-9796, www.mobilearts.org 

Moving, by Renee Stapleton

Reception during LODA Artwalk: March 12 (2nd Friday), Mobile Arts Council, 6-9 pm. Second Fridays in downtown Mobile have become quite a popular time and place to be! Art galleries, studios and unique shops open their doors and welcome you inside to enjoy beautiful works and delicious foods. I will be there in March, excited about sharing my work. Sponsor: City of Mobile Department of Neighborhood and Community Services. Cathedral Square Arts District. 251-208-7443, www.ncsmobile.org 

Why have I named this series Dialectics and what does it mean? Dialectic reasoning might well be included in those late-night discussions over a glass of wine, when the point becomes not so much about proving one of us right or wrong, but discovering a synthesized or new horizon of thought. 

Generally speaking, dialectics are rooted in the ordinary practice of a dialogue between two or more people who hold different ideas and wish to persuade each other—with propositions and counter-propositions. (Philosophers usually refer to the Socratic method of cross-examination or to Hegel‘s model of history, but there are several major forms of dialectic reason.) 

I produced the six pieces within the series just recently, with a strong tug to make more expressive statements, with more spontaneous techniques, beyond the order and deliberateness of my work as a graphic designer. Inspiration came through the materials themselves, with designer and handmade papers touching a sense of the organic when torn, applied, and saturated with finish. On the other hand, my analytic sensibilities prevailed. Just notice the grid-like gutter mesh and tile. Like so, each piece unfolded dialectically, with negotiation, to provide a place for beginning conversations of your own. 

Renee
Renee Stapleton Studios: 251-223-3099
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This topic could go on forever, and from so many different disciplines. We even have formulas. Graham Wallas, for example (in Art of Thought, 1926), says that creative insights and illuminations may be explained by a process of 5 stages: (1) preparation, (2) incubation, (3) intimation, (4) illumination or insight, and (5) verification. (See “Creativity” at Wikipedia.) 

Mark McGuinness, a coach for creative professionals at Wishful Thinking, comments on two perspectives: First, that organization and discipline are essential to the creative process (See Why You Need to be Organised to be Creative), such that ”if you look at the actual working habits of highly creative people you’ll usually find [organization and discipline]  in abundance.” In a follow-up post (Why You Need to Be Disorganised to Be Creative), he argues that creativity must come through disorganization, saying that ”there comes a point where you have to let go of your carefully crafted structures.”

My thoughts? . . . With the study of creativity there are no end-all answers, and I like that! Theories and formulas will always be inadequate means for capturing the essence of creative processes.  And so our discussions based on human experiences and narrative are all the more revealing and interesting.

"Living Creatures that Move," Renee Stapleton (NFS)

I am very organized. Especially with marketing and administrative-type things. Concerning my creative juices, it is common that I go through periods of fact-finding and chaos that simmer into ideas or stages of focus. . . . I love the biblical story of creation for this reason, because the Creator is working with a mess (chaos, in the Hebrew) through which and with which creation springs forth.

Tell me about your creative processes. . . . And, while you’re at it, check out McGuinness’s free e-book Time Management for Creative People

“Creativity – like human life itself – begins in darkness.”   Julia Cameron

Renee
Renee Stapleton Studios: 251-223-3099
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How did I promote my art? My art is being promoted on the website, www.reneestapletonstudios.com. Doing so meant getting a domain name, finding a host established for artists, and finding a great photographer. I’ve been promoting too on facebook, with comments about the status of works in progress. I’ve joined the Mobile Arts Council, with a listing on their site. If you want info about the arts and culture in the Mobile/Baldwin Co. area, check them out! Last but not least, I’ve been talking about my works and sharing with friends who have been encouraging. 

Who were the top cool or influential people?  I’ve talked with several people who have been very helpful. Wanda Sullivan, my friend from way back, seems to know everything about art. Mary Riser is a tremendous influence. Mrs Jane Shaw met with me this year! I had taken art lessons from her during high school days. My cousin Michele Stapleton, a professional photographer in Maine, has been encouraging, and she’s given some fantastic pointers about the website and photography. Mainly, I’ve been inspired to draw from within, from my own resources of experience, education, and desire.  

How did you enhance your office or studio environment? I love answering this because I’m so excited about getting new shelves in one of my studio closets. They are deep enough to hold the large sheets of designer papers that I work with. Gino at Lowe’s helped me figure out the best route based on what I wanted. 

New Shelves!

 

I started producing works of art under Renee Stapleton Studios in the summer of 2009. I’ve been at it for four months now, at the end of the year, and it’s a good time for reflecting on my accomplishments.

What resources did you discover?  Being a proponent of podcasts, I’ve discovered a world of helpful information about the business of being an artist through Alyson Stanfield’s “Art marketing Action Podcasts” (see artBizcoach). Nicolette Tallmadge’s “15 Minute Craft Website Tips” (see The Crafted Webmaster) includes helpful marketing information.

 

With Pieces Bursting, by Renee Stapleton

What did I do to enhance my online presence? And, what technological skills did you learn or improve?  The online portfolio site that I found is FolioSnap, for creative people. It’s easy and clean. I’ve created this blog, my first ever, and I’ve learned about the importance of blogging as a means for directing traffic to the site. Then, there’s MailChimp, the coolest email list manager that I’m using for the e-list signup. Now, how about some fantastic photographers! Stephen Savage is awesome, and professional. He photographed the works that you see on my site, including the series “Dialectics” (one of six pictured here). Nelda Camp, my friend and ballroom dance buddy, shot the picture of me. Finally, my background in graphic design is coming in really handy! I’ve created my logo, now appearing on the website and in printed materials.

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I’m listing some quotes as I’m thinking about hope. This first, by Leonard Cohen, is one of my all-time favorites that I learned about through Prof. Richard Bondi in seminary, and I used it later in ministry. BTW, I heard that Cohen recently delivered a fabulous performance in Atlanta.

Ring the bells that still can ring. Forget your perfect offering. There’s a crack in everything. That’s how the light gets in. – Leonard Cohen (Anthem)

We are all in the gutter, but some of us are looking at the stars. – Oscar Wilde

Not only is another world possible, she is on her way. On a quiet day, I can hear her breathing. –Arundhati Roy

Once you choose hope, anything’s possible. – Christopher Reeve

When the world says, Give up, Hope whispers, Try it one more time. – Author Unknown

We must accept finite disappointment, but we must never lose infinite hope.  – Martin Luther King. Jr.

Keep your face to the sunshine and you cannot see the shadow. – Helen Keller

My thoughts? . . . In the midst of dark times, hope is a ray of light coming in, a piece (maybe a small one) of a larger and better picture, one full of Beauty and Color and Light. . . Faith, on the other hand, requires living with trust in the Bigger/Better picture, the one that it is (still) out there, even if hope isn’t in view.
 
What are the colors of hope? Check out this video from the Boston Globe.
And, what are your thoughts? . . .
 
Renee
Renee Stapleton Studios: 251-223-3099
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Non-objective art is not representational. The term is used when recognizable figures or objects are completely absent from a work of art. Rather than beginning with a recognizable image, a painter of non-objective art creates with form, line, color and movement. (Non-objective was originally used to describe a type of abstract art, influenced by cubism, that eliminated the idea of depth and concentrated on composing arrangement of grids, shapes, and color.)

Abstract art is not necessarily non-objective – as the term abstraction indicates a departure from realistic representation, which can be a slight, partial, or complete departure. A complete departure from realistic representation would be more closely associated with our definition of non-objective. This said, abstract art, nonobjective art, and non-representational art, are loosely related, and some use these terms interchangeably.

I like to think of non-objective art as like instrumental music, without lyrics, singing, or any other sort of vocal input. For a nice glossary of art terms, visit: www.fineartregistry.com/faqs/art_glossary.php 

Renee
Renee Stapleton Studios: 251-223-3099
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